Larissa Sansour was born in East Jerusalem and studied fine arts in London, New York and Copenhagen. Her work is interdisciplinary, immersed in the current political dialogue and utilises video, photography, installation, the book form and the Internet. The dichotomy of belonging to and being removed from the very same piece of land is central to Sansour's work. She often resorts to fictionalised space to address current political realities. By approximating the nature, reality and complexity of life in Palestine and the Middle East to visual forms normally associated with entertainment, her grandiose and often humorous schemes clash with the gravity expected from works commenting on the region. References and details ranging from sci-fi and superheroes to spaghetti westerns and horror films converge with Middle Eastern politics and social issues to create intricate parallel universes in which a new value system can be decoded. Recent solo exhibitions include Galerie Anne de Villepoix in Paris, Photographic Center in Copenhagen, Kulturhuset in Stockholm, Depo in Istanbul and Jack the Pelican in New York. Her work has featured in the biennials of Istanbul, Busan and Liverpool. She has exhibited at venues such as Tate Modern, London; Brooklyn Museum, NYC; Centre Pompidou, Paris; LOOP, Seoul; Al Hoash, Jerusalem; Reina Sofia Museum, Madrid; Louisiana Museum of Contemporary Art, Denmark; House of World Cultures, Berlin, and MOCA, Hiroshima.