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Joe Khalil

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Ela Greenberg

The Middle East today is witnessing a clash of visual narratives. Images of aging dictators clinging on to their youth, clash with those of fresh-faced protestors. Scenes of medieval methods of curbing freedom of expression – as seen in the thugs on camel and horseback in Tahrir Square in Cairo...

Humans from Palestine, The Karimeh Abbud Award Exhibition: Bethlehem

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Gaza

A Series of Un-Curated Events: Ramallah

RE/viewing Jerusalem #2 – REturn: Jerusalem

Biographies

Partner institutions

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Responses

A roundtable discussion

Nathan Witt in conversation with Amira Gad

Hassan Khan in conversation with Omar Kholeif

Fulya Erdemci in conversation with Basak Senova

Chapter 6: Writing

Chapter 5: Lines

Preface: Jack Persekian

Online exhibition catalogue

Magdi Mostafa in conversation with Clelia Coussonnet

Abdullah Al-Mutairi in conversation with Sarah Abu Abdallah

Slavs and Tatars in conversation with Franz Thalmair

Hassan Sharif in conversation with Nujoom Al Ghanem

Maya Zbib in conversation with Amal Khalaf

Özgür Uçkan and Vasif Kortun in conversation with Basak Senova

Tarek Atoui in conversation with Stephanie Bailey

Ahmed Nagy in conversation with Mai Elwakil

Nida Sinnokrot in conversation with Natasha Hoare

Carole Alfarah in conversation with María Gómez López

Suha Shoman in conversation with Amin Alsaden

Kamel Lazaar in conversation with Anthony Downey

Christine Tohme in conversation with Rachel Dedman

Alia Rayyan: Recounting the Past, Present and Future

Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia

Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Ibraaz

Art and Culture in the ‘Imagined’ Arab World, Cornerhouse, Manchester, 13 April 2012

The Cairo Seminar in Alexandria, dOCUMENTA (13)

Aimee Dawson

Erriadh is the Home of the ‘Street’

Aimee Dawson

1971-1979 The Short Seventies (World)

Crisis The End of Pearling in the Gulf (Qatar)

Hassan Sharif

A Video Installation

Kauther

description

Hassan Khan at Beirut Art Center

Khalid Abdalla

Gülsün Karamustafa Retrospective at Hamburger Bahnhof

Lara Baladi

Walking Cabbages and Watermelons

The 9th Berlin Biennale of Contemporary Art

Barrak Alzaid

Anthony Downey

Choreographing Spaces of Gesticulation

An Alternative Genealogy of Musique Concrète

Interventions as Performative Gestures For Political Engagement in Jordan

Lara Khaldi

On Bouchra Khalili’s Cartographies

Portrait of a Salafi en abyme in the Cyber World

Tina Sherwell

Building Institutions Through Practice

A Yemeni Art History

Re-routing Institutional Critique

In the Shadow of Nasser

Arts Infrastructures and Institutions in Libya Post-Dictatorship

What Does It Mean to Be Building a Library in Iraq?

Naira Antoun

A Libyan Diary (Part II) - November 2011

Khaled Hafez

A Libyan Diary (Part I) - October 2011

Setareh Shahbazi

Amira Hanafi

On Silence and Noise in Times of Crisis

On Shuruq Harb's The Keeper

When Buildings Become Part of the Record

Yasmine Eid-Sabbagh’s 'A photographic conversation from Burj al-Shamali Camp'

FIAF’s 2013 World Nomads Tunisia Festival

Gezi Resistance, Public Space and the Counter-monumental

Is soft power helping or hindering the state of the arts in Jordan?

Looking for Palestine in the Jordanian Music Scene

The Story of Bahrain’s Pearl Roundabout

What has Changed in Tunisia since Spring 2011

The Shifting Narrative of Uprising

Tarek Khoury

Theatre As a Tool of Empowerment

Can the subaltern tweet? asked Lisa Nakamura, in response to the formulation 'social media caused the Arab Spring'. If Spivak famously deconstructed the promotion of democracy by supremacist means, Nakamura and others subsequently dismantled the digital orientalism latent in rhetoric suggesting that a US twittersphere galvanised Arab revolutionaries against Arab...

Cultural Institutions, Urban Development, and Regional Cinema in the Gulf Today

Reflections from a book on South Sinai

By bicycle, he travels the roads and the districts searching for an answer to his many questions. He is a man, Tunisian, Arab, Berber and a native with roots in the Maghreb, Africa, the Middle East ... He is of this Earth and these oceans.

Walking in the Darkness of a Promised Light

Raymond Baker

Rachida Triki

Richard Sennett calls 'we' a weasel word. Which 'we' is hailed in this project? Let's say that this 'we' is in the West, and that it doesn't include politicians and policy-makers but ordinary people. My answer to this question is certainly different than it would have been six months ago....

Aesthetics, Civil Society, and the Politics of Representation