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Search results for 'Editorial'
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Where to Now: Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East
Platform 010 Editorial
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Platform 008 Editorial
Anthony Downey
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Ibraaz Platform 003 Editorial: What Was Lost?
Anthony Downey
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Ibraaz August Reader 010_10
Ibraaz
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Return to the Former Middle East
Ibraaz 5th Year Anniversary Editorial
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Archival Dissonance
Ibraaz Platform 006 Editorial
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The Future of the Future
Ibraaz Platform 005 Editorial
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كتابة هذا البحر
نصوص تقاطع الأعمال الفنّيّة
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كتابة هذا البحر
مدن 5 | غزة، باللون الأحمر
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كتابة هذا البحر
"الأيدي العائدة | حول معرض "يا حوت لا توكل قمرنا
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كتابة هذا البحر
"اسم الجدّة | عن العمل الفوتوغرافي "مراية تيتا" لرندة شعث، من معرض "أهل البحر
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كتابة هذا البحر
متمردون بالمصادفة، سنوات لا ترحم" عن "العودة" غير المألوفة في المشهد الفلسطيني"
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كتابة هذا البحر
لما شتَّت الدنيا سمك
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كتابة هذا البحر
عودة" ليلية يقودها الحمام"
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كتابة هذا البحر
آثار حيَّة | على الطريق من النقب إلى كانبيرا
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The Future of a Promise
Edited by Anthony Downey & Lina Lazaar (Ibraaz Publishing, 2011)
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Slavs and Tatars: Mirrors for Princes
Edited by Anthony Downey (jrp|ringier, 2015)
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Art in public spaces in Lebanon
A tool-guide by Temporary. Art. Platform. (T.A.P.) with Nayla Geagea
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Reviews
Critical reflections on Ibraaz publications
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كتابة هذا البحر
Publications كتابة هذا البحر 010 / 31 August 2017 تمت كتابة هذه النصوص بأعقاب قلنديا الدولي 2016 نسخة 'هذا البحر لي'، وفي إطار مساق 'الكتابة مع الصور' وهو مساق تجريبي بادر إليه برنامج الثقافة والفنون في مؤسسة عبد المحسن القطَّان وتم تنظيمه بشراكة المتحف الفلسطيني وجمعية الثقافة العربية، ورواق، ومركز...
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Qalandiya International 2016
Humans from Palestine, The Karimeh Abbud Award Exhibition: Bethlehem
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Qalandiya International 2016
Sites of Return: Ramallah
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Qalandiya International 2016
Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah
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Qalandiya International 2016
Cities Exhibition 5, 'Gaza – Reconstruction': Gaza
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Qalandiya International 2016
O Whale, Don't Swallow Our Moon: Ramallah
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Qalandiya International 2016
Pattern Recognition: Ramallah
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Qalandiya International 2016
A Series of Un-Curated Events: Ramallah
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Qalandiya International 2016
/Tilted/: Ramallah
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Qalandiya International 2016
RE/viewing Jerusalem #2 – REturn: Jerusalem
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Qalandiya International 2016
The Jerusalem Show VIII 'Before and After Origins': Jerusalem
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Qalandiya International 2016
Moments for Possibilities 'Air, Land and Sea': London
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Qalandiya International 2016
This Sea is Mine: Amman
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Qalandiya International 2016
This Sea is Mine: Gaza
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Qalandiya International 2016
Sea of Stories: Beirut
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Qalandiya International 2016
The People of the Sea: Haifa
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Qalandiya International 2016
Biographies
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Qalandiya International 2016
After Thoughts: Shuruq Harb
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Qalandiya International 2016
Programme Downloads
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Qalandiya International 2016
Acknowledgements
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Qalandiya International 2016
Partner institutions
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Qalandiya International 2016
Encounters Programme
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Qalandiya International 2016
Bethlehem
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Qalandiya International 2016
Amman
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Qalandiya International 2016
London
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Qalandiya International 2016
Ramallah & Al-Bireh
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Qalandiya International 2016
Jerusalem
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Qalandiya International 2016
Haifa
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Qalandiya International 2016
Gaza
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Qalandiya International 2016
Beirut
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Qalandiya International 2016
Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey
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Qalandiya International 2016
Reflections: Ala Younis Adania Shibli
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Qalandiya International 2016
Foreword: Anthony Downey
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Qalandiya International 2016
Introduction: Qi2016 Curatorial Team
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FIELD MEETING Take 4: Thinking Practice
Responses
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A Prologue to the Past and Present State of Things
Acknowledgements
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A Prologue to the Past and Present State of Things
Installation Views
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A Prologue to the Past and Present State of Things
ARC.HIVE (2006–present): Adham Hafez
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A Prologue to the Past and Present State of Things
Curator's Essay: Aaron Cezar
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A Prologue to the Past and Present State of Things
Foreword: Anthony Downey
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A Prologue to the Past and Present State of Things
Exhibition Overview
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Echoes & Reverberations
Installation views
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New Vocabularies for New Challenges
Newsha Tavakolian in conversation with Sara Raza
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Resounding Images and Distances
Ismaïl Bahri in conversation with Silke Schmickl
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A Conversation
Ahmet Öğüt in conversation with Basak Senova
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Un-thinking Systems
Shezad Dawood in conversation with Sara Raza
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The Jerusalem Show
Jack Persekian in conversation with Basak Senova
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Nostalgia for the Future
Ala Ebtekar in conversation with Sara Raza
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What We Choose To Overlook
Lida Abdul in conversation with Sara Raza
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The Jerusalem Show
Chapter 1: Intensities
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Performing Histories
Wafaa Bilal in conversation with Sara Raza
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Sonic Diaries
Cynthia Zaven in conversation with Basak Senova
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Succinctly Verbose
Visualizing Palestine in conversation with Haig Aivazian
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A DREAM: The Iraq Pavilion at 55th Venice Biennale
Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova
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Speaking as Witnessing
Hera Büyüktaşçıyan in conversation with Basak Senova
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The public domain has opened up!
Fulya Erdemci in conversation with Basak Senova
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The Jerusalem Show
Downloadable Exhibition Guide
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The Jerusalem Show
Fractures: Children's Activity Book
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The Jerusalem Show
Chapter 7: Fabric
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The Jerusalem Show
Chapter 6: Writing
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The Jerusalem Show
Chapter 5: Lines
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The Jerusalem Show
Chapter 4: Measures
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The Jerusalem Show
Chapter 3: Intervals
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The Jerusalem Show
Chapter 2: Details
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The Jerusalem Show
A Question: Jalal Toufic
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The Jerusalem Show
Editor's Foreword: Anthony Downey
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The Jerusalem Show
Preface: Jack Persekian
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The Jerusalem Show
Introduction: Basak Senova
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The Jerusalem Show
Online exhibition catalogue
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The Jerusalem Show
A View from the City: Tina Sherwell
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Echoes & Reverberations
Acknowledgements
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Echoes & Reverberations
Magdi Mostafa: Wisdom Tower: from the series Sound Cells (Fridays)
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Echoes & Reverberations
Basma Alsharif: We Began by Measuring Distance
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Echoes & Reverberations
Joe Namy: space, breath, time
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Echoes & Reverberations
Samah Hijawi: Paradise Series
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Echoes & Reverberations
Jumana Emil Abboud: A Happy Ending, Part II
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Echoes & Reverberations
Anas Al-Shaikh: My land, 2
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Echoes & Reverberations
Visitations: When aurality loses site* by Rayya Badran
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Echoes & Reverberations
Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp
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Echoes & Reverberations
Curator's Introduction
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Echoes & Reverberations
Foreword: Anthony Downey
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Echoes & Reverberations
Exhibition Overview
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A Prologue to the Past and Present State of Things
Looking at Wafaa Bilal's Domestic Tension : Barrak Alzaid
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A Prologue to the Past and Present State of Things
Sulayman Al Bassam in conversation with Ala Younis
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A Prologue to the Past and Present State of Things
End of War in Iraq: The Yes Men and Steve Lambert
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A Prologue to the Past and Present State of Things
Performance documentation: Lin Yilin
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A Prologue to the Past and Present State of Things
Chic Point Fashion for Israeli Checkpoints: Sharif Waked
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A Prologue to the Past and Present State of Things
Bent Jbeil: Wael Shawky
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A Prologue to the Past and Present State of Things
Hair and Milk Bottle: Hassan Sharif
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A Prologue to the Past and Present State of Things
Two Gunshots Fired at the Installation Dialogue : Xiao Lu
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A Prologue to the Past and Present State of Things
Photographs With A Flag: Mohammed Kazem
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A Prologue to the Past and Present State of Things
I March In The Parade Of Liberty But As Long As I Love You I'm Not Free: Sharon Hayes
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A Prologue to the Past and Present State of Things
Variation on Discord and Divisions: Mona Hatoum
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A Prologue to the Past and Present State of Things
Crossing Surda (a record of going to and from work): Emily Jacir
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A Prologue to the Past and Present State of Things
Operation Atropos: Coco Fusco
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A Prologue to the Past and Present State of Things
OLGA'S NOTES, all those restless bodies: Marwa Arsanios
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A Prologue to the Past and Present State of Things
A Tress of Hair: Doa Aly
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Theatre of the Present
Rabih Mroué in conversation with Göksu Kunak
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Place, Space and Purpose
Lina Majdalanie in conversation with Göksu Kunak
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Acoustic Encounters
Magdi Mostafa in conversation with Clelia Coussonnet
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FIELD MEETING Take 4: Thinking Practice
Programme / Schedule
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FIELD MEETING Take 4: Thinking Practice
Speaker Biographies + Synopses
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FIELD MEETING Take 4: Thinking Practice
Curatorial Narrative
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FIELD MEETING Take 4: Thinking Practice
Introduction
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Qalandiya International 2016: This Sea is Mine
Online exhibition catalogue
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FIELD MEETING Take 4: Thinking Practice
Closing Remarks
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Reversing Power, Allowing Possibilities
Yael Bartana in conversation with Clelia Coussonnet
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FIELD MEETING Take 4: Thinking Practice
Online Programme
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FIELD MEETING Take 4: Thinking Practice
Video documentation: Day 2
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FIELD MEETING Take 4: Thinking Practice
Video documentation: Day 1
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The Shortest Length Between Two Points
Slavs and Tatars in conversation with Franz Thalmair
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History All Wrapped Up
Gülsün Karamustafa in conversation with Basak Senova
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Not New Now
Reem Fadda in conversation with Fawz Kabra
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Enunciation Rather Than Representation
Alya Sebti in conversation with Göksu Kunak
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A Prologue to the Past and Present State of Things
Online exhibition catalogue
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The Symphony of Death
Adel Abidin in Conversation with Basak Senova
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Ex Apartment
Matthias Lilienthal in conversation with Göksu Kunak
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A Woman's Place?
Robin Kahn in conversation with Stephanie Bailey
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History as Concept
Lasse Lau in conversation with Amira Gad
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Performative Resonances
Hiwa K in conversation with Anthony Downey and Amal Khalaf
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Echoes & Reverberations
Online exhibition catalogue
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Information Acts
Navine G. Khan-Dossos in conversation with Stephanie Bailey
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NOTES FROM THE RESISTANCE
Özgür Uçkan and Vasif Kortun in conversation with Basak Senova
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Aquatic Memory
Hera Büyüktaşçıyan in conversation with Basak Senova
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A Century of Centuries
November Paynter and Didem Pekün in conversation with Basak Senova
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Video Channelling
Mai Elwakil in conversation with Daniella Rose King
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Collective Networking
Burak Arıkan in conversation with Basak Senova
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Chapters, Records, Keywords
Lucien Samaha in conversation with Walid Raad, Part I
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After the Biennial
Fulya Erdemci in conversation with Basak Senova
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Meanwhile…History
Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali
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Building Mental Infrastructures
Ayşe Erkmen in conversation with Basak Senova
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With Nail and Spring
Georgia Kotretsos in conversation with Stephanie Bailey
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The State of a Nation
Larissa Sansour in conversation with Sheyma Buali
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The Jerusalem Show
A View from Afar: Stephanie Bailey
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Future Imperfect
Anthony Downey: Introduction to 'Future Imperfect'
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Future Imperfect
Alia Rayyan: Recounting the Past, Present and Future
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Future Imperfect
Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq
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Future Imperfect
Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia
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Future Imperfect
Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions
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Future Imperfect
Nile Sunset Annex: Plotting in Egypt: Art People
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Future Imperfect
Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms
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Future Imperfect
Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria
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Ibraaz July Newsletter
Ibraaz
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LACMA’s Art of the Middle East
Sara Raza
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Ibraaz November Newsletter
Ibraaz
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Ibraaz Platform 005
Ibraaz
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Ibraaz Platform 008
Ibraaz
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Six Decades in the Making
Parviz Tanavoli’s Retrospective at the Davis Museum
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Ibraaz Platform 009 | Launch Reader
Ibraaz
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Performative Traces: The Union of Fire and Water
Almagul Menlibayeva in conversation with Basak Senova
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Ibraaz Reader 009/06
Ibraaz
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New Appointments at Ibraaz
Ibraaz
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Ibraaz Reader 009/10
Ibraaz
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Global Academy?
At the Salzburger Kunstverein
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Ibraaz Talks: 13th Istanbul Biennial
Burak Arikan & Başak Şenova: Network Data
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Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East
Edited by Anthony Downey (IB Tauris, 2014)
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Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East
Edited by Anthony Downey (IB Tauris, 2015)
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Don’t Shrink Me to the Size of a Bullet: The Works of Hiwa K
Edited by Anthony Downey (Walther König Verlag, 2017)
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Unfolding the Structures of Sound
Cevdet Erek in conversation with Başak Şenova
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Future Imperfect: Contemporary Art Practices and Cultural Institutions in the Middle East
Edited by Anthony Downey (Sternberg Press, 2016)
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News
To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...
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Now Where?
On Navigating Without a Compass
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Works on Paper
Artists Intervening in Lebanese Dailies
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The 4th Aflam International Festival of Arab Cinema
Natasha Marie Llorens
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Space Refugee
Halil Altındere at Neuer Berliner Kunstverein, Berlin
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Against the Market
The Art of Shirin Neshat
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Chronographia
Gülsün Karamustafa Retrospective at Hamburger Bahnhof
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Seeking Togetherness
The 37th EVA International
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Queer Chronopolitics
Forests, Freaks and Performativity
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Critique as Infrastructure
Organic Growth and the Rise of Visual Arts Organizations in the UAE
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Response to Platform 10 by Iftikhar Dadi
Of course, I do not wish to be misunderstood as arguing for nativism or closure. But the specific history of the region matters deeply, as factual evidence, but even more so in terms of identifying resources that can be transformed and activated in new ways today.
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Response to Platform 10 by Octavian Esanu
To answer this question I propose an excerpt from a text in progress called 'Art and Garbage'. This piece is intended to look into the relation between urgent social problems – in this case the ongoing garbage crisis in Lebanon – and contemporary art.
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La Vie Moderne
The 13th Biennale de Lyon
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Transition Times
Performing Armenity at the 56th Venice Biennale
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Atmosphere
A Curatorial Take on the Global South
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Between Iran and Dubai
An Art Collection as an Alternative Archive of Iranian History
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The Jerusalem Show VII
Outside Looking In: Taking a Title and Running With It*
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Knowledge Bound
Reflections on Ashkal Alwan's Home Workspace Program, 2013-14
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Knowledge Bound
Reflections on Ashkal Alwan's Home Workspace Program, 2013-14
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Critical Machines
Mirene Arsanios
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'Graphic Witness' at Drawing Room, London
Projects 'Graphic Witness' at Drawing Room, London 010 / 16 June 2017 When images of conflict and protest can be so easily captured on mobile devices, why translate them into graphic representations? How does the translation into graphic form change the act of witnessing, fabricate commentaries on instances of injustice,...
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Endless Celebration
Mahmoud Bakhshi
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theDISCORD
A project by Benji Boyadgian
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Looking for the Dhab
Shadi Habib Allah
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Contain Contain
Maryam Monalisa Gharavi
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Laika
Zamir Suleymanov
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DEBE BE wakollou sawt ka wak3i el7afer 3ala el2ard essolba
The Society of False Witnesses
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Doppelgänging
Basma Alsharif
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Huma
Morehshin Allahyari
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Recollection
Kamal Aljafari
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Expanding and Remaining
Navine G. Khan-Dossos
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Fastforward And Rewind
Setareh Shahbazi
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A Dictionary of the Revolution
Amira Hanafi
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Some Pachinko Pieces
On Silence and Noise in Times of Crisis
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Vox Populi
Tahrir Archives
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The Taste of Displacement
Dena Al-Adeeb
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The Provisionary That Lasts (series)
Ahmed Badry
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The two women and the beautiful boy behind 'Of Men, Champagne and Victory Aside'
Maya Chami
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The mold that we melt in
APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency
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Ghosts of the Mediterranean Sea
APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency
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Maximum you can touch me
APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency
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pepsi, cola, water?
Tom Bogaert
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TandemWorks
Written by Mayssa Fattouh
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In the Future they Ate from the Finest Porcelain
Larissa Sansour and Soren Lind
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The Battle Scene
Zoukak Theatre Company
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Arm Wrestling with Super Sohrab
Sohrab Kashani
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RAM-COM
Meriem Bennani
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Love Letters to a Union – The Falling Comrades
Yazan Khalili Lara Khaldi
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Learning to Dance
An Online Performance
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On The Admissibility of Sound
Seth Ayyaz
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Author as Swindler
Burak Delier
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Watani Al Akbar
Urok Shirhan
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Cola Revlon Mouthwash
Adham Faramawy
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17 and in AUC: Documentation
Hassan Khan
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Nosebleed
Hasan Hujairi
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space, breath, time
Joe Namy
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Engineering Shelter
Helene Kazan
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Where are the Arabs?
Samah Hijawi
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Fire talks to me
Almagul Menlibayeva
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5UNTHA
Abdullah Al-Mutairi
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هيجان البحر والدم
Sarah Abu Abdallah
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Juvenalia
Malak Helmy and Sophia Al Maria
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Semitic Score
Oreet Ashery
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The Elounda Summit
(The Differences Between The Parts Are The Subject of The Composition)
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The Ugly One
Eric Baudelaire
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Istanbul Microphone Men
Santiago Mostyn
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19 a Day
Taus Makhacheva
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On the Back of Sleep
Malak Helmy
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Incidents of the Paradoxical Gaze
Yogesh Barve & Clark House Initiative
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End of Dreams
Nikolaj Larsen
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Les Voyages
Simohammed Fettaka & Basak Senova
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Deep Sleep II
Basma Alsharif
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My Dick in My Dick, Kiss Me Again, After Eight, All Mother Tongues Are Difficult and their sisters.
Mounira Al Solh
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Submarine Writing
Hera Büyüktaşçıyan
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… A story I never forgot…
Rosana Palazyan
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Capitulation of Discourse
Ariel Hassan
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Notes For Leaving and Arriving
Youmna Chlala
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Billboards
Meriç Algün Ringborg
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2922 Days
Uriel Orlow
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So I don't really know sometimes if it's because of culture
Leung Chi Wo
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It is small, we like it this way
Aikaterini Gegisian
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The Tree School
Campus in Camps and Grupo Contrafilé
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Towards the Possible Film
Shezad Dawood
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The Imaginary Aquarium
Mohamed Fariji
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There, before
Isak Berbic
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The Future of Smart Technology is In Your Hands
Caline Aoun
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Two Stories Distorted
Mohamed Abdelkarim
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Painter on a Study Trip II
Mahmoud Khaled
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Chronicles from Majnun until Layla
Azin Feizabadi
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Myth Busters
Monira Al Qadiri
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Common Elements
Iman Issa
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From Behind the Monument
Jasmina Metwaly
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The Work Does Not Mean Anything To Me
Thoughts on Art and Art Discourse
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Hashem L Kelesh – هاشم الكلش
Medrar .TV
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Residents on Tripoli Street Archive War
Adelita Husni-Bey
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The Hierarchy of Being
Wafaa Bilal at Maraya Art Park, Sharjah
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The Use of Social Media as a Dated Document and its Prospect as an Archive
Elif Öner and Vincent Rozenberg
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Portraits
Setareh Shahbazi
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Received Pronunciations
Notes from three spaces in which the law resounds
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Finding the Date
An online archive by Lucien Samaha
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Ventriloquism
A project by Ali Cherri
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The Goodness Regime
A project by Jumana Manna and Sille Storihle
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Night Visitor
A project by Maha Maamoun
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Orality, an Immaterial Heritage
A project by Katia Kameli
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The One That Got Away
The Circus (2)
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SENSING OTHERWISE
A Story of an Exhibition
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The One That Got Away
On the Rooftop
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98weeks: Our Lines Are Now Open
A Radio Series on the Poetics and Politics of Language
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The Incidental Insurgents
The Part about the Bandits Pt.2
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Codes of Limbo
Basak Senova on Zeren Göktan's Counter (2013)
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Saadiyat Island
Hans Haacke
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Chewing the Data Fat
Sophia Al-Maria
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Dropping a Yassin Dynasty Vase
Raed Yassin
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Sound from the Hallways
Lasse Lau
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Morse Code Composition
Cynthia Zaven
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ALWAN
Adelita Husni-Bey
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Sahrawi Scrapbook
A Project by Robin Kahn
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Minecraft Mausoleum
A Video Game Mausoleum for Bashar al-Assad
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I Was Blacklisted by Thom Powers
Documenting the Backlash
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Beyond the Image
A Project by Lara Baladi with an introduction by Dorothea Schoene
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The Sound And The Fury
An Image of a Revolution
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Nation Estate
Elevator Advertisements
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Do You Have Work Tomorrow?
Mahmoud Khaled
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Revolutionary art
Naira Antoun
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Wandering of a Collective
Makan
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The Saaheb Collective
Dream Homes and Community-building
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Following, A week in Cairo
Roy Samaha
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Incomprehensible
Yousef Moscatello
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The Incidental Insurgents
A Story in Parts
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Soundscapes
A project by Tom Bogaert for Ibraaz
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Culture In Defiance
Continuing Traditions of Satire, Art and the Struggle for Freedom in Syria
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Map of Faith
A project by Yousef Moscatello
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Family Friendly
A project by Fayçal Baghriche
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Untitled YouTube Stills
A Project by Anahita Razmi
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Writing on the Walls
Transition, a photographic series by Myriam Abdelaziz
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The Past Was Another Country
Two Projects by Sinisa Vlajkovic
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From Brute Ornament
Seher Shah's Recent Drawings
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D.M., The Arabian Gulf Chapter
Isak Berbic
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On-longing
A Project by Saba Innab
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Bus Cemetery
A Project by Dictaphone Group
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The Missing Link 3
A Mother's Tongue, On Ahmad Ghossein's film My Father is Still a Communist
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40 years of Running on the Same Spot
A Libyan Diary (Part III) - December 2011
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40 years of Running on the Same Spot
A Libyan Diary (Part II) - November 2011
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Ode to the Worthy Extinction of the Metaphor
Mustapha Benfodil
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Fallin' Dictators
Lina Khatib
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The Video Diaries
Khaled Hafez
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Rendezvous
Nikolaj Larsen
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40 years of Running on the Same Spot
A Libyan Diary (Part I) - October 2011
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Supposing I love you. And you also love me.
Wendelien van Oldenborgh
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The Missing Link Part Two
Marwa Arsanios
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Batroun Concrète 0.0
Batroun Projects
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The A77A Project
On Presidents & Superheroes
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17,000 Missing: A Nation in Denial
Dalia Khamissy
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Dubai Citytellers
Francesco Jodice
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The Missing Link
Cecilia Andersson
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The Spectre (of Knowledge)
The Recordings of the Cosmopolitan
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The Crisis of Art in Tunisia
Farah Makni Hendaoui
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Two Responses to Peeping Tom Digest ♯3: Beirut
Omar Kholeif
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On One Side of the Same Water
Introduction
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Making Universes
Khalil Rabah: Pages 7, 8, 9 at e-flux
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On Revolution and Rubbish
What has Changed in Tunisia since Spring 2011
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Response to Platform 4 by Başak Şenova
Digitised media in the last decade has undoubtedly been propelled by the enormous speed of new technology and spontaneous platforms for rights, defined by Hakim Bey as 'Temporary Autonomous Zones' and 'network guerrillas' by Ozgur Uckan. Consequently, despite the mediated content of the mainstream media, social media sites have emerged...
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Occupying the Occupied
Perceptions of Occupation and Control in Cyprus
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The Urban Observatory of Beirut
For a Polysemic Reading of Both City and Territory
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Comparative Notes on the Cultural Magazine in Lebanon
Mirene Arsanios
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Go Down, Moses: Tourism, Space and Ideology.
Reflections from a book on South Sinai
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About us
Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...
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Talinn Grigor, Building Iran
Modernism, Architecture, and National Heritage under the Pahlavi Monarchs
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Terms and conditions
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