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Artists Intervening in Lebanese Dailies

Reema Salha Fadda

Omar Kholeif

Literary Affects and the New Political by Tarek El-Ariss

Critical reflections on Ibraaz publications

Sites of Return: Ramallah

O Whale, Don't Swallow Our Moon: Ramallah

Pattern Recognition: Ramallah

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Gaza

The People of the Sea: Haifa

Biographies

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Responses

Curator's Essay: Aaron Cezar

Nadia Kaabi-Linke in conversation with Lina Lazaar

Adonis in conversation with Laura Allsop

Ziad Antar in Conversation with Anthony Downey

Nada Sehnaoui in conversation with Laura Allsop

Ala Ebtekar in conversation with Sara Raza

Tom Bogaert in conversation with Anthony Downey

Tarek Al-Ghoussein in conversation with Anthony Downey

Amina Menia in conversation with Laura Allsop

Guy Mannes-Abbott in conversation with Sheyma Buali

Nathan Witt in conversation with Amira Gad

Reza Aramesh in conversation with Anthony Downey

Tarzan and Arab in conversation with Laura Allsop

Zeina Arida in conversation with Laura Allsop

Ayah Bdeir in conversation with Omar Kholeif

Michael Rakowitz in conversation with Anthony Downey

Cynthia Zaven in conversation with Basak Senova

Simone Fattal in conversation with Mirene Arsanios

Visualizing Palestine in conversation with Haig Aivazian

Nadia Ayari in conversation with Haig Aivazian

Seth Anziska in conversation with Daniella Rose King

Chapter 7: Fabric

Chapter 2: Details

I March In The Parade Of Liberty But As Long As I Love You I'm Not Free: Sharon Hayes

Rabih Mroué in conversation with Göksu Kunak

Lina Majdalanie in conversation with Göksu Kunak

Lidia Al-Qattan in conversation with Monira Al Qadiri

Speaker Biographies + Synopses

Slavs and Tatars in conversation with Franz Thalmair

Gülsün Karamustafa in conversation with Basak Senova

Randa Mirza in conversation with Amira Gad

Alya Sebti in conversation with Göksu Kunak

Marwa Arsanios in conversation with Fawz Kabra

Coco Fusco in conversation with Stephanie Bailey

Taysir Batniji in conversation with Silke Schmickl

Haig Aivazian in conversation with Rayya Badran

Adham Hafez in conversation with Suzy Halajian

Matthias Lilienthal in conversation with Göksu Kunak

Fayçal Baghriche in conversation with Laura Allsop

Hassan Sharif in conversation with Nujoom Al Ghanem

Robin Kahn in conversation with Stephanie Bailey

Adelita Husni-Bey in conversation with Stephanie Bailey

Hiwa K in conversation with Anthony Downey and Amal Khalaf

Oreet Ashery in conversation with Amal Khalaf

Lawrence Abu Hamdan in conversation with Anthony Downey

Farah Saleh in conversation with Marianna Liosi

Mohssin Harraki in conversation with Karima Boudou

Dia Azzawi in conversation with Sheyma Buali

Özgür Uçkan and Vasif Kortun in conversation with Basak Senova

Hrair Sarkissian in conversation with Raed Yassin

Walid Siti in conversation with Nat Muller

Timo Nasseri in conversation with Laura Allsop

Rabih Mroué in conversation with Anthony Downey

Raed Yassin in conversation with Nat Muller

Youmna Chlala in conversation with Fawz Kabra

Sheyma Buali in conversation with Turi Munthe and Sultan Sooud Al-Qassemi

Vangelis Vlahos in conversation with Stephanie Bailey

Mai Elwakil in conversation with Daniella Rose King

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Ahd in conversation with Sheyma Buali

Antonia Carver in conversation with Omar Kholeif

Raed Yassin in conversation with Stephanie Bailey

Maryam Jafri in conversation with Stephanie Bailey

Lucien Samaha in conversation with Walid Raad, Part I

Maha Maamoun in conversation with Aleya Hamza

Ahmed Nagy in conversation with Mai Elwakil

Ali Cherri in conversation with Sheyma Buali

Akram Zaatari in conversation with Anthony Downey

Elif Öner in conversation with Derya Yücel

Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali

Parastou Forouhar in conversation with David Hodge and Hamed Yousefi

Carole Alfarah in conversation with María Gómez López

Suha Shoman in conversation with Amin Alsaden

Hicham Khalidi in conversation with Daniella Rose King

Jumana Manna in conversation with Sheyma Buali

Hajra Waheed in conversation with Stephanie Bailey

Lucien Samaha in conversation with Walid Raad, Part II

Younes Bouadi in conversation with Stephanie Bailey

Tarek Abou El Fetouh in conversation with Stephanie Bailey

Rifat Chadirji and Balkis Sharara in conversation with Amin Alsaden

MADRASSA Collective in conversation with Antonia Alampi

Leung Chi Wo in conversation with Robin Peckham

Amar Kanwar in conversation with Stephanie Bailey

Eric Baudelaire in conversation with Anthony Downey

Hussam al-Saray: in conversation with Ala Younis | A Cultural Encyclopaedia of Iraq

Wided Rihana Khadraoui: Digitalizing Social Change through Cultural Institutions in Saudi Arabia

Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions

Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Ibraaz

Ibraaz

Nour K Sacranie

1967 in Art and Its Histories, June 1-2, 2012 American University of Beirut, Lebanon

Charlotte Bank

Sara Raza

The Cairo Seminar in Alexandria, dOCUMENTA (13)

Ibraaz

Ibraaz

An Artist-Run Gallery Space in Cairo

Contemporary Image Collective, Cairo

Ibraaz

Ibraaz in partnership with Winchester Centre for Global Futures in Art

Regional vis-à-vis Global Discourses: Contemporary Art from the Middle East

Ibraaz

Erriadh is the Home of the ‘Street’

Edge of Arabia Launches Culturunners

Ibraaz

A Report from the AUC

A Report from Home Works 7 and Athens Biennale 5 to 6

Ibraaz

Işıl Eğrikavuk's The Art of Disagreement

An Odd Piece of Research on the Many Virtues of Oriental Imagination

At the Salzburger Kunstverein

Live

Hans Ulrich Obrist: in conversation with Omar Kholeif

Oscar Guardiola-Rivera: in conversation with Anthony Downey

1971-1979 The Short Seventies (World)

Crisis The End of Pearling in the Gulf (Qatar)

1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans

1971-1979 The Short Seventies (UAE)

Hammad Nasar in conversation with Reema Salha Fadda

A two-part conversation with Szabolcs KissPál and Mahmoud Khaled

Platform 010 Editorial

On Navigating Without a Compass

Stephanie Bailey

Invisible Architecture in Rana ElNemr’s Streams of Synonyms

On Qalandiya International 2016 in Ramallah

Nil Yalter at ARTER, Istanbul

Katia Kameli at the Mosaic Rooms

Halil Altındere at Neuer Berliner Kunstverein, Berlin

Inspired by calligraphy

Vikram Divecha at Tashkeel

Exhibitions and Other Representations in 25 Years at Witte de With

Technology and Its Discontents

Etel Adnan at Serpentine Galleries

Gülsün Karamustafa Retrospective at Hamburger Bahnhof

At Aicon Gallery, New York

Walking Cabbages and Watermelons

Nicola Baird

The 37th EVA International

On Assumption and Authority

Forests, Freaks and Performativity

An Introduction to Platform 010

The varying political, cultural and economic circumstances of the participants of Art Dubai 2016, Design Days and the March Meeting, merit further consideration, as it is the differences among them that highlight the current constraints and opportunities for cultural production in the region.

The development of a healthy regional Arab art scene, like anywhere else in the world, requires the collaborative efforts of the different components that constitute it.

An Introduction to Body Art and Performance in the Gulf

Six Short Stories on Arabic Voice Acting

An Ode to Performing Subjectivity in Research

Vartan Avakian at Marfa’

The 14th Istanbul Biennial 2015

Between the Pessimism of the Intellect and the Optimism of the Will

A Nomadological Study of Ottoman Arab Photography

Interventions as Performative Gestures For Political Engagement in Jordan

Performing Armenity at the 56th Venice Biennale

For Ibraaz Platform 009, Hassan Darsi presents a photo essay.

Determining the Axis of the Global South and Middle East

Narratives and Ghosts from the International Art Exhibition for Palestine, 1978, at MACBA

Lantian Xie at Grey Noise

Rana ElNemr at the American University in Cairo’s Sharjah Art Gallery

Street Art in the Mediterranean Border Zones

Portrait of a Salafi en abyme in the Cyber World

An Art Collection as an Alternative Archive of Iranian History

Pan-Kaffirism in Iraq, South Africa, and Sri Lanka

The term 'Global South' is quite new to me – but since my practice is concerned with the legacy of the transatlantic slave trade and the impact colonialism has on today's power structures I find it obvious that the concept of the 'Global South' is of great relevance in my...

A Provocation to the Question

Conflicting Narratives and the Invention of Geographies

Leili Sreberny-Mohammadi

In the Shadow of Nasser

Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi

Mounira Al Solh at Sfeir-Semler Gallery, Beirut

Arts Infrastructures and Institutions in Libya Post-Dictatorship

What Does It Mean to Be Building a Library in Iraq?

Or, Severing History From the Person

'You can't draw desire, you have to walk it.'

A Perspective on Algeria's Cultural Scene

Haleh Redjaian at Arratia Beer

A Review

Haig Aivazian’s multi-piece installation FUGERE at Sfeir-Semler, Hamburg

The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

Mounira Al Solh

Hera Büyüktaşçıyan

Youmna Chlala

Caline Aoun

Continuing Traditions of Satire, Art and the Struggle for Freedom in Syria

Seher Shah's Recent Drawings

A Libyan Diary (Part III) - December 2011

A Libyan Diary (Part II) - November 2011

Mustapha Benfodil

Projects 'Graphic Witness' at Drawing Room, London 010 / 16 June 2017 When images of conflict and protest can be so easily captured on mobile devices, why translate them into graphic representations? How does the translation into graphic form change the act of witnessing, fabricate commentaries on instances of injustice,...

On Silence and Noise in Times of Crisis

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Helene Kazan

I felt the desire to examine the reverse process: what in art history and, more specifically, in the making of art, can contribute to the development of an archiving process?

The Search for 'Nurafkan'

When Buildings Become Part of the Record

When family members die they take their memories, facts and figures with them. Their stories, as well as their lies and omissions, become harder to track after they've gone. They leave behind mountains of material , with few entry points. If you dare to enter, you will find yourself alone...

Farah Makni Hendaoui

Contemporary Artistic Practice in Iran at a Revolutionary Moment

Palazzo Contarini Polignac, Venice

Profiles: Collecting Art in Lebanon at AUB Gallery, Lebanon

Institute of Contemporary Art, London

Kuwait’s National Works at the 55th Venice Biennale

Tinkerings on the Instable Present Tense

Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review

Is soft power helping or hindering the state of the arts in Jordan?

Shifting the Geographies of Sensing, Believing and Knowing

Looking for Palestine in the Jordanian Music Scene

Atfal Ahdath at Running Horse Contemporary

A Talk and Screening by Shabbir Hussain Mustafa

It stipulates in my working contract as a professor in Middle East history at Leiden University that I must participate in 'media outreach'. This means that I must either seek out media outlets and contribute to a particular conversation about the Middle East, or, if contacted by a media representative,...

Objects in Mirror are Closer than they Appear

The Story of Bahrain’s Pearl Roundabout

On the Memory of a Memorial

A New Communal Model

Jens Maier-Rothe

The Shifting Narrative of Uprising

The Impossibilities of Production in New Media

Tarek Khoury

Theatre As a Tool of Empowerment

A.S. Bruckstein Çoruh

The Practice of Contemporary Art in Algeria Today

From Brute Ornament: Seher Shah's Recent Drawings

Mirene Arsanios

The scale of the resistance among the people of the MENA region in the last year will remain an example in contemporary history. This resistance expresses a desire to build new ground and another social entity, which up till now has been latent. The clear desire is to build a...

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Joe Khalil

Mayssa Fattouh

Sitting in the sweltering sun of Sharjah on a large rolled carpet on the open esplanade facing the museum, I express to an acquaintance, my uneasiness and inability to respond to the question. We need MENA (I had continually mistaken it for MENASA, unconsciously adding yet another region to the...

When did the major museums of the West start taking contemporary Middle Eastern art into consideration? After 2006, with the first successful sale of Middle Eastern contemporary art by Christie's in Dubai, and the announcement shortly afterwards that Abu Dhabi was going to invest billions in museum creation. Of course,...

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