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Archiving a Revolution in the Digital Age, Archiving as an Act of Resistance

Lara Baladi

The North of the South and the West of the East

Imed Jemaïel’s Talismanic Paintings/Les tableaux talismans de Imed Jemaïel

Le Dessous des Ratures (Beneath the Crossings Out)

Amel Bo

Where to Now: Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East

Platform 010 Editorial

Anthony Downey

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Banner image: Hassan Khan, The Knot, 2012, commissioned by dOCUMENTA (13), produced by Galerie Chantal Crousel, Paris, co-produced by the Young Arab Theater Fund (YATF), glass Sculpture 70 cm long x 3 cm thickness x 6.5 cm width in the middle of the knot. Courtesy of the artist and Galerie Chantal Crousel. Photograph by Anders Sune Berg.

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Beware of the Image

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

The Arab Nude

The Artist as Awakener at AUB

The Global South

Conflicting Narratives and the Invention of Geographies

Archiving a Revolution in the Digital Age, Archiving as an Act of Resistance

The North of the South and the West of the East

A Provocation to the Question

Halim El Dabh

An Alternative Genealogy of Musique Concrète

Imed Jemaïel’s Talismanic Paintings/Les tableaux talismans de Imed Jemaïel

Le Dessous des Ratures (Beneath the Crossings Out)

The Weight of the World

Etel Adnan at Serpentine Galleries

Now Where?

On Navigating Without a Compass

Where to Now: Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East

Platform 010 Editorial