Contemporary Visual Culture in
North Africa and the Middle East
010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East
009: What are the genealogies of performance art in North Africa and the Middle East?
008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South?
007: What is the future of arts infrastructures and audiences across North Africa and the Middle East?
006: What role can the archive play in developing and sustaining a critical and culturally located art history?
005: How has a globalised cultural economy affected the production of contemporary visual culture in North Africa and the Middle East?
004: With the benefit of hindsight, what role does new media play in artistic practices, activism, and as an agent for social change in the Middle East and North Africa today?
003: Can Artistic Practices Negotiate the Demands of Cultural Institutions, Public Space, and Civil Society?
002: What relationship does visual culture have to the world we live in?
001: What do we need to know about the MENA region today?
Towards a Spatial Imaginary
Walking Cabbages and Watermelons
Heba Y. Amin
Beware of the Image
APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency
The Arab Nude
The Artist as Awakener at AUB
The North of the South and the West of the East
A Provocation to the Question
Walter D. Mignolo
The Global South
Conflicting Narratives and the Invention of Geographies
Archiving a Revolution in the Digital Age, Archiving as an Act of Resistance
Violent Relatedness, Embeddings, Hindsight
On Navigating Without a Compass
Halim El Dabh
An Alternative Genealogy of Musique Concrète
Contour Biennale 8
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Banner image: Tarek Al Ghoussein,
Untitled 1 (C Series),
2007, digital print, 55 x 75 cm. Courtesy the artist and The Third Line, Dubai.