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In this essay, Samine Tabatabaei looks at the photo-series <em>Tehr<em>an's Self-Portrait</em> </em>(2008–10) by Iranian artist Mehraneh Atashi and examines both the city through its monuments and urban environments, and positions Atashi as a modern day <em>flâneur</em>, that is one who comments on the socio-political aspects of everyday life as seen...