Contemporary Visual Culture in
North Africa and the Middle East
010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East
009: What are the genealogies of performance art in North Africa and the Middle East?
008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South?
007: What is the future of arts infrastructures and audiences across North Africa and the Middle East?
006: What role can the archive play in developing and sustaining a critical and culturally located art history?
005: How has a globalised cultural economy affected the production of contemporary visual culture in North Africa and the Middle East?
004: With the benefit of hindsight, what role does new media play in artistic practices, activism, and as an agent for social change in the Middle East and North Africa today?
003: Can Artistic Practices Negotiate the Demands of Cultural Institutions, Public Space, and Civil Society?
002: What relationship does visual culture have to the world we live in?
001: What do we need to know about the MENA region today?
The Arab Nude
The Artist as Awakener at AUB
Archiving a Revolution in the Digital Age, Archiving as an Act of Resistance
Fahrelnissa Zeid in the Mega-Museum
Mega-museums and modern artists from the Middle East
Effective on the Ground and Invisible to the Global Art Market
Participatory Art in the Middle East
Towards a Spatial Imaginary
Walking Cabbages and Watermelons
Heba Y. Amin
Ibraaz 5th Anniversary
Still (the) Barbarians
Koyo Kouoh in conversation with Stephanie Bailey
The Turn المنعرج
Socially Engaged Art Practices in Tunisia
Christine Bruckbauer, Patricia K. Triki
Copyright © Ibraaz 2017
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Banner image: Tarzan & Arab,
Posters from the Gazawood Project,
2010, 50 x 70 cm each, installation view,
Cornerhouse, Manchester, 2012. Photograph by Paul Greenwood. Courtesy and © the artist and Cornerhouse, Manchester.