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The Invisible Scent of History

Negar Behbahani: Irreversible, 2014

Negar Behbahani

009_07 / 29 January 2016

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Negar Behbahani with Merhwnoush Alia

Irreversible, 2014

47 secs

'Collateral damage is an innocent life extinguished.'

About the author

Negar Behbahani

Chapters in this series

The Invisible Scent of History

Taysir Batniji Ma Merè, David et Moi (2012)

Neïl Beloufa Untitled (2010)

Atef Berredjem Living with The Aliens (2011)

Katia Kameli Untitled (2011)

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Global Art Forum 8

1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans

Ibraaz

Halim El Dabh

An Alternative Genealogy of Musique Concrète

Fari Bradley

The North of the South and the West of the East

A Provocation to the Question

Walter D. Mignolo

Beware of the Image

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Petra Serhal

The Weight of the World

Etel Adnan at Serpentine Galleries

Aimee Dawson

The Arab Nude

The Artist as Awakener at AUB

Anneka Lenssen

The Global South

Conflicting Narratives and the Invention of Geographies

Fernando Resende

The Future of Art in the Age of Militarized De-Production

Re-Thinking Cultural Development in Palestine

Reema Salha Fadda

Archiving a Revolution in the Digital Age, Archiving as an Act of Resistance

Lara Baladi

Tarek Al-Ghoussein, <em>Untitled 2</em>, from <em>Self Portrait Series</em>, 2002-2003, digital Print, 21 5/8 x 29 1/2 inches (55 x 75 cm), edition of 6. Courtesy and © Tarek Al-Ghoussein.

Stereotyping the Stereotypes

Tarek Al-Ghoussein in conversation with Anthony Downey

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Banner image: Ahmet Ogut, Across the Slope, 2008, modified Seat 131 and constructed floor, installation view at SALT, Istanbul. Courtesy of the artist.

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The Invisible Scent of History

Negar Behbahani: Irreversible, 2014

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About the author

Negar Behbahani

Chapters in this series

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Tarek Al-Ghoussein in conversation with Anthony Downey

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