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Billboards

008 / 6 November 2014

This is a specially produced version of Meriç Algun Ringborg's work, Billboards, for Ibraaz Platform 008.

 

Billboards presents a selection of questions found in visa application forms. Lifted from their usual context of visa applications and distilled as banners and billboards, these questions take on an absurd, almost humorous tone while retaining the seriousness of their original intention; the administration, control and categorization of personhood. These are questions which citizens of a state are never aware of, yet which reveal the extent of their governments desire to know, and the extent to which administrations are willing to blur the line between privacy and the state's right to information. For an interview with the artist, follow this link.

 

Meriç Algün Ringborg, Billboards, 2012
Meriç Algün Ringborg, Billboards, 2012
Meriç Algün Ringborg, Billboards, 2012
Meriç Algün Ringborg, Billboards, 2012

 

Meriç Algün Ringborg, Billboards, 2012
Meriç Algün Ringborg, Billboards, 2012

 

Meriç Algün Ringborg, Billboards, 2012
Meriç Algün Ringborg, Billboards, 2012

 

Meriç Algün Ringborg, Billboards, 2012
Meriç Algün Ringborg, Billboards, 2012

 

Meriç Algün Ringborg, Billboards, 2012
Meriç Algün Ringborg, Billboards, 2012

 

Meriç Algün Ringborg, Billboards, 2012
Meriç Algün Ringborg, Billboards, 2012

 

Meriç Algün Ringborg, Billboards, 2012
Meriç Algün Ringborg, Billboards, 2012

 

Meriç Algün Ringborg, Billboards, 2012
Meriç Algün Ringborg, Billboards, 2012

 

Meriç Algün Ringborg, Billboards, 2012
Meriç Algün Ringborg, Billboards, 2012

About the author

Meriç Algün Ringborg

Meriç Algün Ringborg was born in 1983 in Istanbul and currently lives and works in Stockholm. The contrasting differences between the make-up of both cities  Istanbul and Stockholm  particularly socially and politically, as well as her movement between the two, play a key role in her practice. Her work concentrates on issues of identity, borders, bureaucracy, language and translation through appropriated and 'ready-made' texts, dictionaries and archives. She had solo exhibitions at Moderna Museet in Stockholm (2014), Art in General, New York (2013) and Witte de With in Rotterdam (2012) as well as participated in group exhibitions such as 12th Cuenca Biennial (2014), 'When Attitudes Become Form Become Attitudes' at CCA Wattis, San Francisco (2012) and 12th Istanbul Biennial (2011).