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Nikos Papastergiadis and Gerardo Mosquera

Adham Hafez in conversation with Suzy Halajian

Yael Bartana in conversation with Clelia Coussonnet

Stefano Rabolli Pansera in conversation with Stephanie Bailey

Vangelis Vlahos in conversation with Stephanie Bailey

Younes Bouadi in conversation with Stephanie Bailey

Eric Baudelaire in conversation with Anthony Downey

Fadi Bardawil in conversation with Zeynep Oz

Tom Snow

A Report from Home Works 7 and Athens Biennale 5 to 6

A Report from Cologne

A two-part conversation with Szabolcs KissPál and Mahmoud Khaled

On Navigating Without a Compass

Notes on Geo-cultural Exhibitions

Rayyane Tabet at Museo Marino Marini

Walking Cabbages and Watermelons

Forests, Freaks and Performativity

An Introduction to Platform 010

Tarek Al-Ghoussein at Galerie Brigitte Schenk

Natasha Ginwala

A Provocation to the Question

Meriç Algün Ringborg

A Series of Un-Curated Events: Ramallah

Partner institutions

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Responses

Mario Rizzi in conversation with Dorothea Schoene

Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova

Editor's Foreword: Anthony Downey

Exhibition Overview

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Rasha Salti and Kristine Khouri in conversation with Samah Hijawi

Randa Mirza in conversation with Amira Gad

JW Stella in conversation with Aimee Dawson

Haig Aivazian in conversation with Rayya Badran

Seth Ayyaz in conversation with Sheyma Buali

Maryam Monalisa Gharavi in conversation with Mirene Arsanios

Anthony Downey and Beatrix Ruf in conversation with Slavs and Tatars

Jonas Staal in conversation with Stephanie Bailey

Jananne Al-Ani in conversation with Nat Muller

Discussing arts infrastructure in Tehran

Fulya Erdemci in conversation with Basak Senova

Nevin Aladağ in conversation with Walter D. Mignolo

Suha Shoman in conversation with Amin Alsaden

Hicham Khalidi in conversation with Daniella Rose King

WHW in conversation with Omar Kholeif

Louis Henderson in conversation with Amira Gad

MADRASSA Collective in conversation with Antonia Alampi

Nora Razian, Nataša Petrešin Bachelez, and Angela Harutyunyan in conversation, with a contribution from Natasha Gasparian

Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions

The Cairo Seminar in Alexandria, dOCUMENTA (13)

Decolonizing Architecture at Tate Modern

News The Jerusalem Show 007 / 24 October 2014 Ibraaz is pleased to announce the opening of THE JERUSALEM SHOW VII: FRACTURES. Curated by Basak Senova and organized by Al-Ma'mal Foundation for Contemporary Art, Jerusalem, this year's show runs from 24 October to 7 November 2014, and is presented in...

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Trace Environments: Sovereignty, toxicity and the littoral

Platform 010 Editorial

Stephanie Bailey

Meeting Points 8

Negative Ecstasy at Dirimart, Istanbul

Exhibitions and Other Representations in 25 Years at Witte de With

Ibraaz 5th Year Anniversary Editorial

On Assumption and Authority

Jumana Manna at Chisenhale Gallery, London

Between the Pessimism of the Intellect and the Optimism of the Will

Edited Urbanism on Dubai Creek

Maraya Art Centre

Performing Armenity at the 56th Venice Biennale

Sharjah Biennial 12: The past, the present, the possible

Determining the Axis of the Global South and Middle East

A Curatorial Take on the Global South

Contemporary Cinema from North Africa

Street Art in the Mediterranean Border Zones

On Bouchra Khalili’s Cartographies

Anthony Downey

The Cultural Centre of the Philippines opened to great political fanfare on 10 September 1969, with a ceremony that was graced by none less than California Governor Ronald Reagan and his wife Nancy acting on the orders of President Nixon.

Conflicting Narratives and the Invention of Geographies

Re-Thinking Cultural Development in Palestine

Global Art Forum 8 at Katara Art Center

Mounira Al Solh at Sfeir-Semler Gallery, Beirut

Arts Infrastructures and Institutions in Libya Post-Dictatorship

Cevdet Erek at Spike Island, Bristol

The Politics of Food at Delfina Foundation

A Story of an Exhibition

Seth Ayyaz

I envision the liberation of an archive (from attachment to a person, state, or region) through its transfiguration into a database. This emancipation requires dematerialization and displacement.

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

Shifting the Geographies of Sensing, Believing and Knowing

Aid and the Politics of Art in Processes of Contemporary Cultural Production

Sharjah Biennial 11 – Re:emerge, Towards a New Cultural Cartography

I am broadly interested in addressing the recontextualisation of cultural heritage in the MENA region by institutions, thus aligning it in the process with current developments in contemporary art at large. Artistic practices are frequently used to measure the economic and cultural growth of geographies. This is often achieved by...

Nowadays, visual culture is considered to be a vehicle for the constant delivering of messages of identity to the public. The image has become the universal means of recalling to an audience the history of how we speak; how we think; and how we envision the future. Until a few...

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Cities have long been sites for conflict, from war and the oppressions of dictators to racisms and religious hatreds. And yet, where national states have historically responded by militarizing conflict, cities have tended to triage conflict through commerce and civic activity. Often the overcoming of urban conflicts became the source...

Mark Westmoreland

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