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Street Art in the Mediterranean Border Zones

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Sites of Return: Ramallah

A Series of Un-Curated Events: Ramallah

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Amman

This Sea is Mine: Gaza

Sea of Stories: Beirut

The People of the Sea: Haifa

Biographies

Encounters Programme

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Introduction: Qi2016 Curatorial Team

A roundtable discussion

Ziad Antar in Conversation with Anthony Downey

Michket Krifa in conversation with Wafa Gabsi

Driss Ouadahi in conversation with Rachida Triki

Zeina Arida in conversation with Laura Allsop

Ayah Bdeir in conversation with Omar Kholeif

Seth Anziska in conversation with Daniella Rose King

Chapter 2: Details

Crossing Surda (a record of going to and from work): Emily Jacir

Dream City in Tunis

Koyo Kouoh in conversation with Stephanie Bailey

Reem Fadda in conversation with Fawz Kabra

ismaël in conversation with Wafa Gabsi

Adham Hafez in conversation with Suzy Halajian

Mario Rizzi in conversation with Cristiana Perrella

Mounira al Solh in conversation with Nat Muller

Martina Caruso in conversation with Sheyma Buali

Stefano Rabolli Pansera in conversation with Stephanie Bailey

Vangelis Vlahos in conversation with Stephanie Bailey

The Arab Digital Expression Foundation in conversation with Laura Cugusi

Georgia Kotretsos in conversation with Stephanie Bailey

Nida Sinnokrot in conversation with Natasha Hoare

Carole Alfarah in conversation with María Gómez López

Adelina von Fürstenberg in conversation with Stephanie Bailey

Jumana Manna in conversation with Sheyma Buali

Uriel Orlow in conversation with Omar Kholeif

A View from Afar: Stephanie Bailey

Younes Bouadi in conversation with Stephanie Bailey

Héla Ammar in conversation with Wafa Gabsi

Ibraaz

Chkoun Ahna at the National Museum of Carthage, Tunis, 2012

Rachida Triki

The Cairo Seminar in Alexandria, dOCUMENTA (13)

Ibraaz

A Slavs and Tatars Panel Discussion at Art Space Pythagorion

The second meeting of Maghreb des Arts

Ibraaz

William Wells in conversation at Serpentine Galleries

A Report from Home Works 7 and Athens Biennale 5 to 6

Ibraaz

Aimee Dawson

Ibn Khaldun’s The Muqadimmah

On Navigating Without a Compass

Notes on a film by Kamal Aljafari

Meeting Points 8

On Qalandiya International 2016 in Ramallah

Negative Ecstasy at Dirimart, Istanbul

Walking Cabbages and Watermelons

Genealogy of a Territory at MuCEM, Marseille

Ahmad Makia

Bruno Boudjelal's Documentary of Affect

An Alternative Genealogy of Musique Concrète

Between the Pessimism of the Intellect and the Optimism of the Will

A Review of the 56th Venice Biennale

Franco Berardi

Contemporary Cinema from North Africa

Natasha Ginwala

On Bouchra Khalili’s Cartographies

On Nikolaj Larsen's End of Dreams

In a recent video work, Mouthfeel (2014) and a related lecture-performance titled Playlist (2014), I focused on symmetries between forms of aspirational consumption in the Global South.

Embroiderers of Actuality is an action that aims to be a sensible provocation: a visual discussion about the position of women in the society.

Outside Looking In: Taking a Title and Running With It*

Can T-Wall Murals really Beautify the Fragmented Baghdad?

In the Shadow of Nasser

A Perspective on Algeria's Cultural Scene

Almagul Menlibayeva

Oreet Ashery

(The Differences Between The Parts Are The Subject of The Composition)

Malak Helmy

Nikolaj Larsen

Simohammed Fettaka & Basak Senova

Mounira Al Solh

Hera Büyüktaşçıyan

Youmna Chlala

Mahmoud Khaled

Setareh Shahbazi

Basak Senova on Zeren Göktan's Counter (2013)

Yousef Moscatello

Two Projects by Sinisa Vlajkovic

Dalia Khamissy

A project by Benji Boyadgian

Shadi Habib Allah

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

The 4th Thessaloniki Biennale

FIAF’s 2013 World Nomads Tunisia Festival

Celebrating Arab Women Filmmakers

Aid and the Politics of Art in Processes of Contemporary Cultural Production

The Problem of Nationality

Introduction

Artistic Practice from Tirana to Tangier

Perceptions of Occupation and Control in Cyprus

For a Polysemic Reading of Both City and Territory

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Rachida Triki

Mayssa Fattouh

One needs to be careful with the concept of regions as geographical entities. Such an understanding is only valuable if it takes into account the way these regions relate to their neighbours, as frontiers are still too often frontiers of misunderstanding. The Middle East, like North Africa or the so-called...

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