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Koyo Kouoh in conversation with Stephanie Bailey

Adham Hafez in conversation with Suzy Halajian

Maryam Jafri in conversation with Stephanie Bailey

Tarek Abou El Fetouh in conversation with Stephanie Bailey

Regional vis-à-vis Global Discourses: Contemporary Art from the Middle East

A Slavs and Tatars Panel Discussion at Art Space Pythagorion

The 37th EVA International

Genealogy of a Territory at MuCEM, Marseille

'Too Early, Too Late: Middle East and Modernity' at the Pinacoteca Nazionale di Bologna

Narratives and Ghosts from the International Art Exhibition for Palestine, 1978, at MACBA

Contemporary Cinema from North Africa

In the years that followed the destruction of the Berlin Wall, which triggered the rise of post-colonial studies, the definition of the term 'the Global South' has changed dramatically.

Conflicting Narratives and the Invention of Geographies

The Israeli-Palestinian Conflict and Israel's National Photography Archives as a Case Study

The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore

The Encyclopedic Palace

Saloua Raouda Choucair, Ibrahim El-Salahi and Meschac Gaba at Tate Modern

Literary Affects and the New Political by Tarek El-Ariss

Palazzo Contarini Polignac, Venice

A Talk and Screening by Shabbir Hussain Mustafa

Visual culture in a country like Morocco does not differ from its counterparts in the rest of those countries that remain, to some extent, beneath a foreign-made umbrella. The production of the image in the post-colonial age compels us strongly to undergo subordination to foreign ideologies, because this is a...

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

A Series of Un-Curated Events: Ramallah

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Biographies

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Responses

Adonis in conversation with Laura Allsop

Amina Menia in conversation with Laura Allsop

Nathan Witt in conversation with Amira Gad

Rasha Salti in conversation with Fawz Kabra

Mario Rizzi in conversation with Dorothea Schoene

Yuko Hasegawa in conversation with Walter D. Mignolo and Stephanie Bailey

Sheikha Hoor Al-Qasimi in conversation with Stephanie Bailey

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Speaker Biographies + Synopses

Closing Remarks

Reem Fadda in conversation with Fawz Kabra

JW Stella in conversation with Aimee Dawson

Alya Sebti in conversation with Göksu Kunak

Marwa Arsanios in conversation with Fawz Kabra

Morehshin Allahyari in conversation with Hannah Gregory

Caveh Zahedi in conversation with Stephanie Bailey

Lasse Lau in conversation with Amira Gad

Urok Shirhan in Conversation with Stephanie Bailey

Navine G. Khan-Dossos in conversation with Stephanie Bailey

Mohssin Harraki in conversation with Karima Boudou

Raed Yassin in conversation with Nat Muller

Martina Caruso in conversation with Sheyma Buali

Nav Haq in conversation with Stephanie Bailey

Sumesh Sharma in conversation with Amanprit Sandhu

Aikaterini Gegisian in conversation with Stephanie Bailey

Jonas Staal in conversation with Stephanie Bailey

Joe Namy in conversation with Garine Aivazian

Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali

Nida Sinnokrot in conversation with Natasha Hoare

Hicham Khalidi in conversation with Daniella Rose King

Jumana Manna in conversation with Sheyma Buali

WHW in conversation with Omar Kholeif

Uriel Orlow in conversation with Omar Kholeif

Hajra Waheed in conversation with Stephanie Bailey

Younes Bouadi in conversation with Stephanie Bailey

Louis Henderson in conversation with Amira Gad

Rifat Chadirji and Balkis Sharara in conversation with Amin Alsaden

MADRASSA Collective in conversation with Antonia Alampi

Leung Chi Wo in conversation with Robin Peckham

Nora Razian, Nataša Petrešin Bachelez, and Angela Harutyunyan in conversation, with a contribution from Natasha Gasparian

Fadi Bardawil in conversation with Zeynep Oz

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Ibraaz

Art and Culture in the ‘Imagined’ Arab World, Cornerhouse, Manchester, 13 April 2012

Chkoun Ahna at the National Museum of Carthage, Tunis, 2012

1967 in Art and Its Histories, June 1-2, 2012 American University of Beirut, Lebanon

Coline Milliard

Sara Raza

Notes from a roundtable discussion on the state of the arts in Egypt

Questions to be addressed

Decolonizing Architecture at Tate Modern

Ibraaz

Ibraaz

Tom Snow

The 2016 March Meeting

A Report from Cologne

Soviet Orientalism and Political Mobilisation

Ibn Khaldun’s The Muqadimmah

Ibraaz

Louis Henderson

APEAL's 'Museum in the Making' and Temporary. Art. Platform. present: The 2016 Ras Masqa Artists' Residency

Murtaza Vali: 'Arresting Flows, Stacking Forms'

Notes Toward a Theory of Transformative Justice

Hammad Nasar in conversation with Reema Salha Fadda

A two-part conversation with Szabolcs KissPál and Mahmoud Khaled

Platform 010 Editorial

On Navigating Without a Compass

Ala Younis

Contour Biennale 8

Notes on Geo-cultural Exhibitions

Stephanie Bailey

On Qalandiya International 2016 in Ramallah

Rupture, War and Surrealism in Egypt (1938–1948) at the Centre Pompidou

Katia Kameli at the Mosaic Rooms

Closing Remarks

Exhibitions and Other Representations in 25 Years at Witte de With

The Art of Shirin Neshat

Walking Cabbages and Watermelons

Rozemin Keshvani

On Assumption and Authority

Forests, Freaks and Performativity

An Introduction to Platform 010

Green Art Gallery

Ahmad Makia

Bruno Boudjelal's Documentary of Affect

The 14th Istanbul Biennial 2015

Maraya Art Centre

A Nomadological Study of Ottoman Arab Photography

Interventions as Performative Gestures For Political Engagement in Jordan

Performing Armenity at the 56th Venice Biennale

Franco Berardi

Lara Khaldi

Determining the Axis of the Global South and Middle East

A Curatorial Take on the Global South

Natasha Ginwala

Portrait of a Salafi en abyme in the Cyber World

Anthony Downey

Nikos Papastergiadis and Gerardo Mosquera

This research-based response marks the beginning of a collaborative project undertaken by Clare Davies and Nida Ghouse that considers histories of artistic production in relation to the concept of metanoia.

Strategic though it may be, the binary of 'South' and 'North' is no less reductive than the stale binaries of yore: of 'East' and 'West', communist and capitalist, aesthetics and politics, the list goes on.

A Provocation to the Question

An Emergent Design Approach to the Gulf

Building Institutions Through Practice

Re-Thinking Cultural Development in Palestine

Re-routing Institutional Critique

From the Intimate to the World

In the Shadow of Nasser

Global Art Forum 8 at Katara Art Center

Arts Infrastructures and Institutions in Libya Post-Dictatorship

Or, Severing History From the Person

A Perspective on Algeria's Cultural Scene

Leung Chi Wo

Iman Issa

A Radio Series on the Poetics and Politics of Language

Basma Alsharif

Yazan Khalili Lara Khaldi

An Online Performance

The Search for 'Nurafkan'

Ibraaz Platform 006 Editorial

Farah Makni Hendaoui

Amy Charlesworth

Shifting the Geographies of Sensing, Believing and Knowing

What if Rani al Rajji and Michel De Certeau met in Beirut?

Aid and the Politics of Art in Processes of Contemporary Cultural Production

Nadia Mounajjed

An Exhibition between Cairo and London

Refraction: Moving Images on Palestine at P21 Gallery

Artistic Practices, Collective Action and Civil Society in Tunisia

On the Memory of a Memorial

The Impossibilities of Production in New Media

Artistic Practices, Civil Society, and Secular Determination in Tunisia Today

Theatre As a Tool of Empowerment

A.S. Bruckstein Çoruh

An Introduction

Precarious Images, the Aesthetics of Conflict, and the Future of an Anachronism

The Practice of Contemporary Art in Algeria Today

Politics, Media and Art after the Arab Uprisings

Yazid Anani

Reflections from a book on South Sinai

The scale of the resistance among the people of the MENA region in the last year will remain an example in contemporary history. This resistance expresses a desire to build new ground and another social entity, which up till now has been latent. The clear desire is to build a...

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

One needs to be careful with the concept of regions as geographical entities. Such an understanding is only valuable if it takes into account the way these regions relate to their neighbours, as frontiers are still too often frontiers of misunderstanding. The Middle East, like North Africa or the so-called...

Mark Westmoreland

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