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Search results for 'Documentary'
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On Reporting, the Documentary and the Aesthetic in Ursula Biemann and Angela Sanders’ Europlex
Amy Charlesworth
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Basma Alsharif: The Doppelgänger
Berlin Documentary Forum 3 at Haus der Kulturen der Welt, Berlin
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New Kids On The Block
Randa Mirza in conversation with Amira Gad
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Ex Apartment
Matthias Lilienthal in conversation with Göksu Kunak
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Chapters, Records, Keywords
Lucien Samaha in conversation with Walid Raad, Part I
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Memory Montage
Uriel Orlow in conversation with Omar Kholeif
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The Tentmakers of Cairo
Kim Beamish in conversation with Sam Bowker
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Influence, Passion, Process
Lucien Samaha in conversation with Walid Raad, Part II
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Symposium: Future Imperfect – Cultural Propositions and Global Perspectives
Ibraaz
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Curating Live Art
Performances at Echoes & Reverberations
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Logical Revolts
Louis Henderson
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BBC Arabic Cinema Badila: Sun Ra in Egypt
Tom Bogaert
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Ordinary Madness (Sareyyet Ramallah)
Farah Saleh
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Six Moments from a Revolution
A Brief History of the Shoura Council So Far: February 2015
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Six Moments from a Revolution
Prayer of Fear: September 2013
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Six Moments from a Revolution
A Coup or a Continuation of the Revolution?: July 2013
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Six Moments from a Revolution
The People Demand the Fall of the Regime: January 2012
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Six Moments from a Revolution
Martyrs of the Egyptian Revolution: December 2011
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Six Moments from a Revolution
The Maspero Massacre: October 2011
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The Sleepwalkers
Rana Hamadeh at The Showroom, London
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In and Out of Algeria
Bruno Boudjelal's Documentary of Affect
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Living Roundabouts in Bahrain
Five Stages of an Artist Residency
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Anachronistic Ambitions
Imagining the Future, Assembling the Past
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Submarine Writing
Hera Büyüktaşçıyan
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17,000 Missing: A Nation in Denial
Dalia Khamissy
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Contain Contain
Maryam Monalisa Gharavi
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Love Letters to a Union – The Falling Comrades
Yazan Khalili Lara Khaldi
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Where are the Arabs?
Samah Hijawi
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An Archive of Refusal
On Shuruq Harb's The Keeper
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Curating Conflict in Art
An I for an Eye and Death of a Cameraman
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Go Down, Moses: Tourism, Space and Ideology.
Reflections from a book on South Sinai
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Response to Platform 1 by Mehran Mohajer
For this project I have used a pinhole square-format camera to take urban pictures of a metropolis. From the start, this device produced a paradox. The long exposure times and the low quality of the images it takes do not fit with the documentary genre. Intentionally I have used the...
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Ethnography + Art: Convergence or Collision?
Mark Westmoreland
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Qalandiya International 2016
Humans from Palestine, The Karimeh Abbud Award Exhibition: Bethlehem
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Qalandiya International 2016
Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah
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Qalandiya International 2016
A Series of Un-Curated Events: Ramallah
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Qalandiya International 2016
RE/viewing Jerusalem #2 – REturn: Jerusalem
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Qalandiya International 2016
Moments for Possibilities 'Air, Land and Sea': London
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Qalandiya International 2016
The People of the Sea: Haifa
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Qalandiya International 2016
Biographies
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Qalandiya International 2016
Partner institutions
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Qalandiya International 2016
Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey
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FIELD MEETING Take 4: Thinking Practice
Responses
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Curatorial Conundrums – Arab Representation at the 54th Venice Biennale
A roundtable discussion
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New Vocabularies for New Challenges
Newsha Tavakolian in conversation with Sara Raza
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Suspended Lives and Emerging Voices
Nadia Kaabi-Linke in conversation with Lina Lazaar
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An Aesthetics of Expiration
Ziad Antar in Conversation with Anthony Downey
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After the Storm
Michket Krifa in conversation with Wafa Gabsi
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Stereotyping the Stereotypes
Tarek Al-Ghoussein in conversation with Anthony Downey
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Fragments of Home
Jeanno Gaussi in conversation with Dorothea Schoene
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Absorbing Displacement
Bouchra Khalili in Conversation with Dorothea Schoene
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The Jerusalem Show
Chapter 1: Intensities
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Against Interpretation
Hassan Khan in conversation with Omar Kholeif
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Active Interventions/ Intervening Actions
Jasmina Metwaly in conversation with Angela Harutyunyan
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Performing Histories
Wafaa Bilal in conversation with Sara Raza
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The Noise of Cairo
Heiko Lange in conversation with Amira Gad
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Curating Film
Rasha Salti in conversation with Fawz Kabra
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Sonic Diaries
Cynthia Zaven in conversation with Basak Senova
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A State of Exception
Mario Rizzi in conversation with Dorothea Schoene
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Going Both Ways
Yuko Hasegawa in conversation with Walter D. Mignolo and Stephanie Bailey
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Letter to a Refusing Pilot
Seth Anziska in conversation with Daniella Rose King
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The public domain has opened up!
Fulya Erdemci in conversation with Basak Senova
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The Jerusalem Show
Chapter 5: Lines
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The Jerusalem Show
Chapter 2: Details
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Echoes & Reverberations
Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp
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A Prologue to the Past and Present State of Things
Sulayman Al Bassam in conversation with Ala Younis
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A Prologue to the Past and Present State of Things
Chic Point Fashion for Israeli Checkpoints: Sharif Waked
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A Prologue to the Past and Present State of Things
Operation Atropos: Coco Fusco
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Theatre of the Present
Rabih Mroué in conversation with Göksu Kunak
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Past Disquiet
Rasha Salti and Kristine Khouri in conversation with Samah Hijawi
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Film After Euphoria
Rasha Salti in conversation with Sheyma Buali
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What Was Lost
Joana Hadjithomas and Khalil Joreige in conversation with Nat Muller
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Image Politics
ismaël in conversation with Wafa Gabsi
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Progressive Roots
Sussan Deyhim in conversation with Sheyma Buali
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The Art of Subversion
Caveh Zahedi in conversation with Stephanie Bailey
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The Outsider
Mario Rizzi in conversation with Cristiana Perrella
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The Many Metamorphoses of Mounira al Solh
Mounira al Solh in conversation with Nat Muller
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Word Stress
Lawrence Abu Hamdan in conversation with Anthony Downey
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A Militant Cinema
Mohanad Yaqubi in conversation with Sheyma Buali
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My Sister Who Travels
Martina Caruso in conversation with Sheyma Buali
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Art After Identity Politics
Nav Haq in conversation with Stephanie Bailey
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Alternate Geographies
Sumesh Sharma in conversation with Amanprit Sandhu
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No Boundaries
Aikaterini Gegisian in conversation with Stephanie Bailey
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A Century of Centuries
November Paynter and Didem Pekün in conversation with Basak Senova
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Video Channelling
Mai Elwakil in conversation with Daniella Rose King
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Technologies of History
Jananne Al-Ani in conversation with Nat Muller
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Lingering in Vicinity
Maha Maamoun in conversation with Aleya Hamza
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Photography as Apparatus
Akram Zaatari in conversation with Anthony Downey
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Narrative Treatments
Wael Shawky in conversation with Stephanie Bailey
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The State of a Nation
Larissa Sansour in conversation with Sheyma Buali
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Picturing the Homeland
Carole Alfarah in conversation with María Gómez López
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Visualizing Displacement
Foundland in conversation with Nat Muller
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On Logical Revolts
Louis Henderson in conversation with Amira Gad
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The Making of a Collective
MADRASSA Collective in conversation with Antonia Alampi
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On Sovereignty
Amar Kanwar in conversation with Stephanie Bailey
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Event Horizon
Eric Baudelaire in conversation with Anthony Downey
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Revisiting Internationalists
Fadi Bardawil in conversation with Zeynep Oz
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Shooting What is Missing
Hamza Halloubi in conversation with Natasha Hoare
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Future Imperfect
Lois Stonock: Mapping the Possible: Syrian Organizations, Movements and Platforms
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Future Imperfect
Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria
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October Newsletter
Ibraaz
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Power Cut Middle East, International Film Festival Rotterdam
Amira Gad
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London Palestine Film Festival 2012
Nour K Sacranie
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Zineb Sedira in Conversation
Coline Milliard
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Syrian filmmaker, Orwa Nyrabia, missing
Sheyma Buali
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Syrian Art Comes of Age
Malu Halasa
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Ibraaz May Newsletter
Ibraaz
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Critical Anxieties
Regional vis-à-vis Global Discourses: Contemporary Art from the Middle East
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The Square
Aimee Dawson
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New Appointments at Ibraaz
Ibraaz
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Global Art Forum 8
Crisis The End of Pearling in the Gulf (Qatar)
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Chic Point (excerpt)
Fashion for Israeli Checkpoints
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The Invisible Scent of History
Neïl Beloufa: Untitled (2010)
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Figures Upon Landscape
A Hero Never Dies: Wissam Charaf
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Kiarostami: Silent Moments
Iranian Carpet: Amir Mousavi
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Kiarostami: Silent Moments
A tribute by Gelareh Kiazand
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The Sun's Incubator
Ammar Al-Beik
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Drapchi Elegy
Ritu Sarin and Tenzing Sonam
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Planetary Records: Performing Justice Between Art and Law
Deceptive Authoritarianisms: Between Artificial and Discredited Personhoods
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Planetary Records: Performing Justice Between Art and Law
Trace Environments: Sovereignty, toxicity and the littoral
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History in Play
Hammad Nasar in conversation with Reema Salha Fadda
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On Building Nations
A two-part conversation with Szabolcs KissPál and Mahmoud Khaled
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News
To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...
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Violent Relatedness, Embeddings, Hindsight
Ala Younis
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Polyphonic Worlds
Contour Biennale 8
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Act I: Sharjah Biennial 13
Stephanie Bailey
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Recollections
Notes on a film by Kamal Aljafari
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Condemned to Depth
Invisible Architecture in Rana ElNemr’s Streams of Synonyms
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Dear Animal
Notes in a Conversation on a Film by Maha Maamoun
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Off the Record
Nil Yalter at ARTER, Istanbul
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Casting Stories in Transit
Katia Kameli at the Mosaic Rooms
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Kamal Aljafari: A Recollection
Hamid Dabashi
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Archiving a Revolution in the Digital Age, Archiving as an Act of Resistance
Lara Baladi
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Where to Now?
An Introduction to Platform 010
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Mindful Body
An Introduction to Body Art and Performance in the Gulf
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SALTWATER: A Theory of Thought Forms
The 14th Istanbul Biennial 2015
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Response to Platform 9 by Joe Namy
'A few notes on the difference between performance art and mayonnaise...'
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The Shadow Economies of Being Seen
Determining the Axis of the Global South and Middle East
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Tout va bien?
'Too Early, Too Late: Middle East and Modernity' at the Pinacoteca Nazionale di Bologna
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Past Disquiet
Narratives and Ghosts from the International Art Exhibition for Palestine, 1978, at MACBA
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BOOM, BOOM, BOOOOOM!
Notes on a Giant Implosion
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As in an Ocean
On Nikolaj Larsen's End of Dreams
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Mirror Worlds
Here and Elsewhere at the New Museum
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Filling the Gaps
Arts Infrastructures and Institutions in Libya Post-Dictatorship
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Response to Platform 7 by Sherri Wasserman
'I suggest that we look at the past and present strengths of cultural organizations, which have always served social and informational purposes, regardless of region and time. It is in these two spheres that the future resides.'
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Recalling the Future
Post-Revolutionary Iranian Art at SOAS
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Fire talks to me
Almagul Menlibayeva
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The Ugly One
Eric Baudelaire
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Les Voyages
Simohammed Fettaka & Basak Senova
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There, before
Isak Berbic
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Chronicles from Majnun until Layla
Azin Feizabadi
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From Behind the Monument
Jasmina Metwaly
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The Goodness Regime
A project by Jumana Manna and Sille Storihle
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98weeks: Our Lines Are Now Open
A Radio Series on the Poetics and Politics of Language
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Morse Code Composition
Cynthia Zaven
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Beyond the Image
A Project by Lara Baladi with an introduction by Dorothea Schoene
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The Past Was Another Country
Two Projects by Sinisa Vlajkovic
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D.M., The Arabian Gulf Chapter
Isak Berbic
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The Missing Link 3
A Mother's Tongue, On Ahmad Ghossein's film My Father is Still a Communist
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The Missing Link Part Two
Marwa Arsanios
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Dubai Citytellers
Francesco Jodice
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The Missing Link
Cecilia Andersson
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Doppelgänging
Basma Alsharif
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Vox Populi
Tahrir Archives
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pepsi, cola, water?
Tom Bogaert
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space, breath, time
Joe Namy
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Response to Platform 6 by Hassan Darsi
I felt the desire to examine the reverse process: what in art history and, more specifically, in the making of art, can contribute to the development of an archiving process?
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Response to Platform 6 by Mounir Fatmi
Working with archives is a relatively new development, only recently have artists and institutions had access to archives. In the Middle East in general, the idea of the archive and of history is very vague. Even the idea of archiving, of having an institution that holds an archive, is new.
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Locating the Archive
The Search for 'Nurafkan'
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Field notes for 'What We Left Unfinished'
Dispatch One: the Artist and the Archive, June–September 2013
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Enacting the Archives, Decentring the Muses
The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore
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Freedom of Expression
FIAF’s 2013 World Nomads Tunisia Festival
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To the Barricades
Gezi Resistance, Public Space and the Counter-monumental
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Amman’s West Side Story
Is soft power helping or hindering the state of the arts in Jordan?
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Birds Eye View Festival 2013
Celebrating Arab Women Filmmakers
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No Place Like Home
Refraction: Moving Images on Palestine at P21 Gallery
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CAMPING AND TRAMPING THROUGH THE COLONIAL ARCHIVE
A Talk and Screening by Shabbir Hussain Mustafa
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Art’s Networks
A New Communal Model
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Digital, Aesthetic, Ephemeral
The Shifting Narrative of Uprising
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The Art of the Written Word + New Media Dissemination: Syria
Tarek Khoury
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Staging the Transition in North Africa
Theatre As a Tool of Empowerment
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In the Event of Fire
Precarious Images, the Aesthetics of Conflict, and the Future of an Anachronism
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Response to Platform 3 by Sandra Teitge
News from the Arab World reaches western audiences on a daily basis. The various analogue and online formats of media – TV, radio, newspapers, and blogs – are extensively reporting on the events in this region. In Berlin, and certainly elsewhere in Europe, cultural institutions and festivals reacted very quickly...
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Ibraaz Platform 003 Editorial: What Was Lost?
Anthony Downey
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The Social Impulse
Politics, Media and Art after the Arab Uprisings
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Fast Forward to the Past
Cultural Institutions, Urban Development, and Regional Cinema in the Gulf Today
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Response to Platform 2 by Lara Baladi
During the July sit-in in Tahrir Square in Cairo, the site of the revolution at the beginning of the year, a group of artists and filmmakers lit up a corner of the square with an open-source 'revolutionary' screen: Tahrir Cinema . Every night, a filmmaker, journalist or activist presented a...
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Response to Platform 2 by Newsha Tavakolian
Platform for discussion002 What relationship does visual culture have to the world we live in? Newsha Tavakolian 1 November 2011 Newsha Tavakolian, 2011 Photograph Courtesy of the artist 7: Members of the voluntary paramilitary force, the baseej, shot and killed one man and wounded others in a one million strong...
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Reza Aramesh
Walking in the Darkness of a Promised Light
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Kutluğ Ataman
The Enemy Inside Me